[FUB-GEAS] Guest Lecture/Film Screening and Q&A with Sharon Kinsella (U Manchester) (@GEAS)

[Newsletter Graduate School of East Asian Studies <fub-geas@lists.fu-berlin.de>]

Guest Lecture by Sharon Kinsella and Screening of Josō (2020) - Discussion and Q&A

May 13, 2022 | 4 - 6 PM (in presence)

 

Sharon Kinsella will be present to give a guest lecture and afterwards screen and discuss the phenomenon and thought processes behind her and David Panos' recent film Josō, which explores the various social agents and layers involved in the recent female cross-dress boom in Japan. 

All students, staff and colleagues are welcome. For preparation purposes, please be so kind to register online until May 12 at http://www.geas.fu-berlin.de/events/lectures/22_kinsella_lect.html

Josō 2020

 

Joso is a film collaboration combining ethnographic documentation and art film to explore the nature of male reaction and sentiment on the cusp of change in Japan. Filmic flow through Tokyo, Saitama and Fukushima captures signs and context of the heavily ideological and yet ambiguously gendered presence built into the contemporary urban environment. Urban Japan in the mid-2010s is seen in its own style of motion under the enthusiastic and benign gazes of enormous teenage girl faces screened and posted throughout the city. Interleaved in this macro-landscape the film shows the micro-gestures and movements of unknown people in gendered postures. As the film unfolds deeper layers begin to emerge. There are signs that the girl is the new model commuter and employee: flexible, disciplined and cute. Under the implicit directions of the gendered city young men are witnessed engaged in complex active reactions: cross-dressing, de-masculinizing, idolizing and parodying.Close interaction and conversation with young men involved with specific recent male subcultures – otoko no ko (dressing as girls) and himote (“men without” women) – appear, and through their gestures and words the audience is drawn into the language and emotion of young men in the contemporary period.

Focus on bodily gesture and voice also works to discourage Orientalist and essentialist desire for the film’s subject. This is not a film about ‘Japan’ but about people struggling to express the sentiments of a moment in time. Light usage of archival material and cultural references, such as Yamaguchi Momoe’s voice during her bridal retirement speech in 1980; Ultraman and the creator’s grandson in josō mode; ero shōjo characters and collectors at Comic Market in 2015; shoreline re-building and stagnant waters in Fukushima in 2013; and lyrics of animed series, all hint at a the historical situation.

Sharon Kinsella is a researcher and theorist of gendered subcultures and cultural production in Japan, who has worked on the politics, history and social relations of kawaii, otakuism, seinen manga zasshi, shukkanshi, gyaru, and enjo kōsai. Sharon’s work is known for its detail, visual quality and critical attention to the meaning of mass media and visual cultural trends. David Panos is a widely-exhibited artist filmmaker who’s work has taken up critical themes, such as gentrification and resistance in East London (Polly II, Trail of the Spider), and has dealt with historical and contemporary concerns in performance and aesthetic language. His most recent film collaboration prior to this project put the story of the origins of money and abstract thought, in ancient Greece, into gestural language (Ultimate Substance, 2012).

 

Time & Location

May 13, 2022 | 04:00 PM - 06:00 PM

Lecture Room (010/011) Ground Floor
Graduate School of East Asian Studies
Hittorfstr. 18 (old building/former TOPOI villa)
14195 Berlin
Location

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Organization:

Graduate School of East Asian Studies (GEAS)

events@geas.fu-berlin.de