Liebe Studierende, liebe Mitglieder der Mailingliste, sehr herzlich möchten wir Sie wieder in das Online-Kolloquium zur Kunst Afrikas einladen. Am kommenden Dienstag wird Nicole Smythe-Johnson – Freie Kuratorin und Kunsthistorikerin an der University of Texas – zu Gast sein. Wir laden Sie und alle interessierten Gäste sehr herzlich zu Vortrag und anschließender Diskussion ein. Nicole Smythe-Johnson John Dunkley’s Subaltern Modernism Zeit: Dienstag, den 24.Januar 2023, 18 Uhr c.t. Ort: online via Webex (https://fu-berlin.webex.com/fu-berlin/j.php?MTID=mbd1e1764a68dc6d8da860228feb5e26f) Included in almost every major survey of Jamaican and Caribbean art, it’s difficult to overstate John Dunkley’s significance in Jamaican art history. Banana Plantation (1945), one of his best-known works, includes several elements typical of the artist’s distinctive oeuvre. The painting also brings together the three major themes of my dissertation: the assertion of a hemispheric American modernism defined by negotiations between elite and subaltern cultural production, the significance of circum-Caribbean travel in that vision of modernism, and the role of photography in perceiving that significance. The painting reflects on the often dangerous experiences of a generation of West Indian circum-Caribbean travelers whose working class cosmopolitanism shaped American modernity. Banana Plantation is also an example of Dunkley’s photographic eye—his consistently dark palette, flattened perspective and idiosyncratic handling of light, which I position as a kind of modernist formal innovation drawing on the new way of seeing that was early twentieth century photography. Mit freundlichen Grüßen, Celia Schmidt Freie Universität Berlin FB Geschichts- und Kulturwissenschaften Kunsthistorisches Institut Abteilung Kunst Afrikas Sekretariat: Celia Schmidt, M.A. Koserstr. 20 (A 3.08), 14195 Berlin Telefon: +49-(0)30-838-55286, Fax: +49-(0)30-838-4-55286 kunstafrikas@zedat.fu-berlin.de<mailto:kunstafrikas@zedat.fu-berlin.de>